Edgar Degas
Edgar Degas's Oil Paintings
Edgar Degas Museum
19 July 1834 - 27 September 1917. French painter.

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Here are all the paintings of Jacopo Amigoni 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
68500 Amigoni Bildnis einer Dame Jacopo Amigoni Amigoni Bildnis einer Dame Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
67771 Barbara de Braganza Jacopo Amigoni Barbara de Braganza 1750(1750) Oil painting
70836 Bildnis einer Dame als Diana Jacopo Amigoni Bildnis einer Dame als Diana 128 x 94 cm,
77974 Carlo Broschi, Farinelli Jacopo Amigoni Carlo Broschi, Farinelli Date between 1750(1750) and 1752(1752) Medium Oil on canvas Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in). cyf
67639 Full resolution Jacopo Amigoni Full resolution Full resolution‎ (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg) Juno Receiving the Head of Argos
78867 infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade Jacopo Amigoni infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia. Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen). Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie. Español: es:Marxa Antonieta de España Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge. Polski: pl:Maria Antonia Burbon ca. 1750(1750) Oil on canvas cjr
28069 Joseph in Pharaob's Palace Jacopo Amigoni Joseph in Pharaob's Palace mk61 Oil on canvas 325x283cm
3242 Juno Receives the Head of Argus Jacopo Amigoni Juno Receives the Head of Argus c1730 Moor Park, Rickmansworth
58203 Juno Receiving the Head of Argos Jacopo Amigoni Juno Receiving the Head of Argos Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire.
77007 Juno Receiving the Head of Argos Jacopo Amigoni Juno Receiving the Head of Argos Date between 1730(1730) and 1732(1732) Medium Oil on canvas cyf
29053 Jupiter and Callisto Jacopo Amigoni Jupiter and Callisto mk65 Oil on canvas 24 1/2x30"
81689 Maria Antonietta of Spain Jacopo Amigoni Maria Antonietta of Spain 1750(1750) Medium Oil on canvas cyf
70121 Marquis of Ensenada Jacopo Amigoni Marquis of Ensenada Medium Oil painting Dimensions 104 x 124 cm
76919 Portrait of a Gentlemen in Blue Jacket Jacopo Amigoni Portrait of a Gentlemen in Blue Jacket 1st half of 18th century Oil on canvas 102 cm (40.2 in). Height: 127 cm (50 in). cjr
80702 Portrait of a Lady Jacopo Amigoni Portrait of a Lady 1st half of 18th century Medium Oil on canvas cyf
80148 Portrait of Barbara de Braganza Jacopo Amigoni Portrait of Barbara de Braganza Date 1750(1750) Medium Oil cyf
78290 Portrait of Caroline Wilhelmina of Brandenburg-Ansbach Jacopo Amigoni Portrait of Caroline Wilhelmina of Brandenburg-Ansbach 1735(1735) Medium Oil on canvas Dimensions 2,439 x 1,524 cm (960.2 x 600 in) cyf
96771 Portrait of Maria Anna of Sulzbach Jacopo Amigoni Portrait of Maria Anna of Sulzbach circa 1740(1740) Medium oil on canvas cyf
80153 Portrait of Marquis of Ensenada Jacopo Amigoni Portrait of Marquis of Ensenada 1750(1750) Oil on canvas 104 x 124 cm cjr
84060 Portrait of Marquis of Ensenada Jacopo Amigoni Portrait of Marquis of Ensenada 1750(1750) Medium Oil on canvas Dimensions 104 x 124 cm cyf
82760 Portrait of the Infanta Maria Antonia Fernanda Jacopo Amigoni Portrait of the Infanta Maria Antonia Fernanda 1750(1750) Medium Oil on canvas cyf
98112 Princess Royal and Princess of Orange Jacopo Amigoni Princess Royal and Princess of Orange 1736(1736) Medium oil cyf
32585 Recreation by our Gallery Jacopo Amigoni Recreation by our Gallery mk79
28684 The Finding of Joseph's Cup in Benjamin's Bag Jacopo Amigoni The Finding of Joseph's Cup in Benjamin's Bag mk61 c.1748 Oil on cnavas 281x355cm
67624 Venus and Adonis Jacopo Amigoni Venus and Adonis c. 1740 Oil on canvas 45 X 75 cm (17.72 X 29.53 in)
67638 Venus and Adonis Jacopo Amigoni Venus and Adonis Technique Oil on canvas Dimensions 45 X 75 cm (17.72 X 29.53 in)
69984 Venus and Adonis Jacopo Amigoni Venus and Adonis Medium Oil on canvas Dimensions 045 X 75 cm
77962 Venus and Adonis Jacopo Amigoni Venus and Adonis Date ca. 1740(1740) Medium Oil on canvas cyf
83237 Venus and Adonis Jacopo Amigoni Venus and Adonis Date first half of 18th century Medium Oil on canvas Dimensions Height: 142 cm (55.9 in). Width: 173 cm (68.1 in). cjr
87314 Venus and Adonis Jacopo Amigoni Venus and Adonis first half of 18th century Medium Oil on canvas cyf

Jacopo Amigoni
1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.
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