Edgar Degas
Edgar Degas's Oil Paintings
Edgar Degas Museum
19 July 1834 - 27 September 1917. French painter.

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Edgar Degas
Chevaux de Courses

ID: 00905

Edgar Degas Chevaux de Courses
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Edgar Degas Chevaux de Courses


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Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | The Suffering of the City of New Orleans | Dancers Climbing a Stair | Musicians in the orchestra | Jeantaud Linet and Laine | Seated Dancer Tying her Slipper |
Related Artists:
Hippolyte Berteaux
(1843 - 1928)
abstrakt akvarell
Akvarell är en målningsteknik där färgen läggs på i transparenta skikt på ett tjockt, lätt sugande papper. Papper av högsta kvalitet är syrafritt och framställt av bomullslump. Det kan variera kraftigt i olika vithetstoner och tjocklek. Ytans ytstruktur kallas gräng och finns av flera slag. Akvarellpapper levereras i block med limmade kanter runt om, så att papperet håller sig slätt, när det blir fuktigt av färgen. Lösa papper kan prepareras genom att fukta igenom det ordentligt med rent vatten och sen klistra/tejpa upp det på en styv skiva. När papperet torkat har inbyggda spänningar utjämnats, och det bubblar sig mindre, när akvarellfärgen läggs på. Akvarell målas ofta med en tjock pensel som kan hålla mycket vätska, samtidigt som den kan formas till en mycket fin spets. Den finaste kvaliteten görs av mårdhår eller sobelhår. Mycket smala linjer kan göras med hjälp av tunna spetsiga penslar eller dragstift, som egentligen är avsedda för för tuschritning. Gamla tiders stålpennor för bläck duger också för detta ändamål.
PAOLINI, Pietro
Italian painter, Lucchese school (b. 1603, Lucca, d. 1681, Lucca) Italian painter. He was the son of Tommaso Paolini and Ginevra Raffaelli, both from Lucca. In 1619 Paolini's father sent him to study under Angelo Caroselli in Rome. His artistic formation was also influenced by the circle of Italian and, especially, northern European followers of Bartolomeo Manfredi, who were active in Rome between 1620 and 1630. The following works, though undocumented, may be dated to this Roman period: Martha and Mary Magdalene (Rome, Gal. Pallavicini), the Concert of Female Musicians (Malibu, CA, Getty Mus.) and the Bacchic Concert (Dallas, TX, Hoblitzelle priv. col., see Maccari Giusti, pl. 3). Paolini's first religious works, such as the Deposition (Lucca, S Frediano), as well as many portraits, also show signs of Roman influence. Around 1628 he went to Venice, where he stayed for two years. The effects of this visit can be seen in his later religious works, such as the Virgin and Saints (Rome, Pal. Barberini) and the Virgin and Saints (Lucca, Villa Guinigi), and also in his history paintings, such as Esther and Ahasuerus (Denver, CO, A. Mus.). He returned to Lucca in 1631, where, from these early experiences, he created an original style, in which he painted cabinet pictures, often on musical or allegorical themes, such as the Ages of Life (Lucca, Mazzarosa priv. col., see Maccari Giusti, pl. 10) and the series Music, Astronomy, Geometry, Philosophy (Lucca, Bertocchini Dinucci priv. col., see Maccari Giusti, pls 56-9). Around 1650 he opened, at his own expense, an academy based on the principle of 'art from nature', at which numerous artists, such as Girolamo Scaglia (d c. 1686), Antonio Franchi, Simone del Tintore and his brother Francesco (1645-1718) were trained.






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