French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues. Related Paintings of Edgar Degas :. | Detail of The Bellini | Seated Woman | Alice Villette | Carriage on racehorse ground | Balneation |
Related Artists:Hippolyte Delaroche
(17 July 1797 - 4 November 1856), commonly known as Paul Delaroche, was a French painter born in Paris. Delaroche was born into a wealthy family and was trained by Antoine-Jean, Baron Gros, who then painted life-size histories and had many students.
The first Delaroche picture exhibited was the large Josabeth saving Joas (1822). This exhibition led to his acquaintance with Theodore Gericault and Eugene Delacroix, with whom he became friends. The three of them formed the core of a large group of Parisian historical painters. He visited Italy in 1838 and 1843, when his father-in-law, Horace Vernet, was director of the French Academy in Rome.
Delaroche's studio in Paris was in the Rue Mazarine. His subjects were painted with a firm, solid, smooth surface, which gave an appearance of the highest finish. This texture was the manner of the day and was also found in the works of Vernet, Ary Scheffer, Louis-Leopold Robert and Jean Auguste Dominique Ingres. Among his students were British landscape artist Henry Mark Anthony (1817-1886), Julian Ashton
Australian Painter, 1851-1942
was an Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. Ashton was born in Addlestone, Surrey, England and arrived in Australia in 1878 with a background in the contemporary French realism of the Barbizon School, which emphasised painting en plein air (i.e. direct from nature, as opposed to studio-based painting), and which laid the basis for the Impressionist movement. As a trustee of the Art Gallery of New South Wales he championed emerging Australian artists of the Australian Impressionist or Heidelberg School, and the Gallery's decision to collect these works owes much to his influence. According to James Gleeson, Ashton's oil paintings, much-admired in his own lifetime, COUWENBERGH, Christiaen van
Dutch painter, Delft school (b. 1604, Delft, d.